"We do theater for our soul," confesses Karolos Koun. We watch theater, with everyone participating in the theatrical process, playwrights, directors, actors, set designers, other artistic contributors, and audience members, in order to feel each other's sensitivity through this form of art; to be moved and to move others with the truths, our human passions, personal deadlocks, moral doubts, and the desired redemption at the end of everything that takes place on stage.

And when the curtain falls, full of magical spectacle and understanding of existential situations, we feel now interdependent emotionally members of this stimulating cultural wonder that took place on stage.

On the days of 2012, we go to the theater with the literary Calendar. Its pages, speaking to us about drama or comedy, about the incomparable greatness of ancient tragedy or Shakespeare, the secrets of the acting art, about famous performances and great actors who left their mark, are written by great Greek writers, playwrights, renowned directors, actors, and theater people, who guide us behind the scenes of unparalleled theatrical art.