The man who gets hit by a taxi at a pedestrian crossing. The musician-writer who plays the detective. Anna who suspects her husband is cheating on her. The psychiatrist who analyzes the causes of melancholy. Webern's "Langsamer Satz." The waitress whose husband beats up immigrants. Jason who studies History. The elderly woman trapped in the past. The Estonian composer who gets murdered.

All of them members of a diverse orchestra of everyday virtuosos, writing circles on the sidewalks of the bustling city, chasing each other incessantly like the hands of a clock in a web of intersecting, branching, converging, or diverging times, and carrying their periscopic gazes, singing with sharp recitatives or sudden arias the Human Comedy, their own recurring story, trapped at the center of a relentless vertigo.